


In the name of the earth , the new work by Dorotea Kobiela Welchman and Hugh Welchmann, Polish filmmakers who five years ago, with Loving Vincent , surprised us by giving life to Van Gogh's paintings through an elaborate technique that hand-colors the Scenes previously filmed with real actors, he once again displays sensitivity and ingenuity when filming, using the same technique, a rural drama based on a novel by Nobel Prize winner Wladyslaw S. Reymont.




'30 coins' (2x07): scent of undead and supercomputers in an episode that fails to build the previous tension at the end
The Álex de la Iglesia series for HBO Max does not finish successful in its stretch towards the end of the season

Ridley Scott impresses but is not thrilled with 'Napoleon', a new formal exhibition that demonstrates the importance of montage in shaping narratives
Joaquin Phoenix and Vanessa Kirby lead a new biopic brand of the Scott house




In the name of the earth , the new work by Dorotea Kobiela Welchman and Hugh Welchmann, Polish filmmakers who five years ago, with Loving Vincent , surprised us by giving life to Van Gogh's paintings through an elaborate technique that hand-colors the Scenes previously filmed with real actors, he once again displays sensitivity and ingenuity when filming, using the same technique, a rural drama based on a novel by Nobel Prize winner Wladyslaw S. Reymont.




'30 coins' (2x07): scent of undead and supercomputers in an episode that fails to build the previous tension at the end
The Álex de la Iglesia series for HBO Max does not finish successful in its stretch towards the end of the season

Ridley Scott impresses but is not thrilled with 'Napoleon', a new formal exhibition that demonstrates the importance of montage in shaping narratives
Joaquin Phoenix and Vanessa Kirby lead a new biopic brand of the Scott house

'30 coins' (2x07): scent of undead and supercomputers in an episode that fails to build the previous tension at the end
The Álex de la Iglesia series for HBO Max does not finish successful in its stretch towards the end of the season




In the name of the earth , the new work by Dorotea Kobiela Welchman and Hugh Welchmann, Polish filmmakers who five years ago, with Loving Vincent , surprised us by giving life to Van Gogh's paintings through an elaborate technique that hand-colors the Scenes previously filmed with real actors, he once again displays sensitivity and ingenuity when filming, using the same technique, a rural drama based on a novel by Nobel Prize winner Wladyslaw S. Reymont.