

At the First Literature in Cinema Festival, which took place in Buenos Aires, Argentina, earlier this month, an interesting Canadian feature film by Sisi Theo was in the final.
“Expected Unexpected”, in its hour and 14 minutes, tells a story of complicated relationships that, when they fail, affect the lives of many people, not just theirs.
The director creates a climate that navigates between literature and theater, without ever losing sensitivity. It guides us along a path in which many of us will be able to identify ourselves or identify problems of those around us.
The cinematographic language is efficient, with a consistent classical aesthetic. A valuable film that deserves to be seen.




'The Count' had everything to be one of the best movies on Netflix but it falls short: Pablo Larraín's vampire Pinochet doesn't quite fly despite its great premise
Its premise is engaging and leaves several scenes to remember, but the director of 'Spencer' abuses the same ideas too much

'Mystery in Venice': Kenneth Branagh navigates between Agatha Christie and Edgar Allan Poe to shape the best film of the trilogy
Hercule Poirot flirts with terror in a new case that, as usual, uses a spectacular cast to dazzle the respectable


'30 coins' (2x07): scent of undead and supercomputers in an episode that fails to build the previous tension at the end
The Álex de la Iglesia series for HBO Max does not finish successful in its stretch towards the end of the season




In the name of the earth , the new work by Dorotea Kobiela Welchman and Hugh Welchmann, Polish filmmakers who five years ago, with Loving Vincent , surprised us by giving life to Van Gogh's paintings through an elaborate technique that hand-colors the Scenes previously filmed with real actors, he once again displays sensitivity and ingenuity when filming, using the same technique, a rural drama based on a novel by Nobel Prize winner Wladyslaw S. Reymont.