
Ridley Scott impresses but is not thrilled with 'Napoleon', a new formal exhibition that demonstrates the importance of montage in shaping narratives
Joaquin Phoenix and Vanessa Kirby lead a new biopic brand of the Scott house
At the 5th Anticensura Film Festival, which took place a few days ago in Argentina, “Hairy” was official selection. A United States production directed by Maximillian Aguiar, from whom we saw "THE DOORS BETWEEN US" and "VENEER".
In this case it is a feature film in splendid black and white, which deals with the misadventures, in a comedy tone, of a young man. Tyler, known as the hairy one, who suddenly faces the possibilities of important changes in his life, which they can also transform their own essence. We could say that it is an identity search game.
The cast, led by Logan Diemert and Amanda Graeff, shines for their performances and the sympathy they convey. Also Tyler's universe, with old and new friends, comes closer to the viewer. It is possible to find in their friendly relations, parameters with those who have been by our side at some time. The film may have a few minutes more, but they do not bother in this friendly journey through the human condition.
Maximillian Aguiar
An excellent comedy by Aguiar, who already has an extensive record of awards and nominations at international festivals. Totally deserved.
Joaquin Phoenix and Vanessa Kirby lead a new biopic brand of the Scott house
Its premise is engaging and leaves several scenes to remember, but the director of 'Spencer' abuses the same ideas too much
Ira Sachs presents a film in which Ben Whishaw has to put up with the worst boyfriend in the history of humanity. Yes, even worse than your ex
Hercule Poirot flirts with terror in a new case that, as usual, uses a spectacular cast to dazzle the respectable
The Álex de la Iglesia series for HBO Max does not finish successful in its stretch towards the end of the season
In the name of the earth , the new work by Dorotea Kobiela Welchman and Hugh Welchmann, Polish filmmakers who five years ago, with Loving Vincent , surprised us by giving life to Van Gogh's paintings through an elaborate technique that hand-colors the Scenes previously filmed with real actors, he once again displays sensitivity and ingenuity when filming, using the same technique, a rural drama based on a novel by Nobel Prize winner Wladyslaw S. Reymont.